Monday, November 11, 2019
NYT Columnist Timothy Egan on “How the insufferably woke help Trump.” (Bold for emphasis, mine.)
Among the people I love is a sibling who works at Walmart cleaning toilets at night in a thinly populated part of eastern Oregon. She’s been there more than 25 years and has trouble saving a dime and certainly no path to retirement. She’s likely to vote, again, for President Donald Trump.
It’s no mystery why so many Democrats can no longer connect to the white working class. Progressives promise free college, free health care, free child care, and scream in bafflement, What’s wrong with you people?
Joe Biden has picked up Obama’s charge against the puritanical keepers of undiluted progressivism, in self-defense. He wrote this week of a “my way or the highway” approach that is “condescending to the millions of Democrats who have a different view.” He said, “It’s representative of an elitism that working and middle class people do not share: ‘We know best; you know nothing.’”
One of the biggest takeaways from the recent New York Times/Siena College survey of battleground states is that Elizabeth Warren is not connecting with the very people her policies are supposed to help. Trump beats her or runs even in every tossup state but one. The persuadable voters in these states, many of them working class, say political correctness has gotten out of control, and they prefer someone seeking common ground over someone with a militantly progressive agenda.
Democrats flipped 40 House seats in 2018 and attracted more white working-class voters — without insufferable wokedness. They hammered away on health care and kitchen table concerns. The same approach helped Democrats pull off an apparent upset in the Kentucky governor’s race this week.
Sunday, November 10, 2019
"Boopy Goes To Berlin: A Cold War Memoir," from Slate:
Like many journalists, diplomats, and spies who lived and traveled in the old Eastern Bloc, I still have warm feelings for the Cold War.
In my case, though, the sentiment precedes the time I spent overseas. In fact it dates back 50 years or so to when the Berlin Wall first went up, when I was 5 years old going on 6. This was when Boopy, our family dog, suddenly disappeared from our suburban Westchester County home.
As my raconteur father explained it, the bit about Boopy being the family dog was just a cover story—a way to establish what covert operatives call “legend.” Like many Cold Warriors in the epic struggle against communism, Boopy had a secret mission. His days with us may have been few, but the tale my father told to explain Boopy’s abrupt departure gave him an everlasting, mythic sheen that even Rin Tin Tin might envy. Now, with memories of the Iron Curtain fading fast, the tale stands as a reminder that not everything associated with a “missing” pet has to be grim—and that sometimes a “true lie” might be the best way to cope with a hard truth.
At the time, my father was a detective lieutenant in the NYPD leading a special anti-gambling task force. Boopy was arrested in a raid on a numbers-running operation in Harlem. Rather than put him behind bars, my father brought him home. Why my father thought it was a good idea to bring a dog with Boopy’s CV into a house full of small kids is beyond me now. Back then, apparently, pit bulls that had been providing security for bookies didn’t have the kind of reputation they have today. But my father was able to convince my mother that the dog would provide companionship and protection to my younger siblings and me.
True to his breed, however, Boopy turned out to be “a lunger.” After knocking us over on more than one occasion and sending us scurrying under the kitchen table to avoid being nipped, Boopy was starting to wear thin the welcome we had extended to him. And then one day—I don’t remember how long after he first arrived, but it couldn’t have been more than a few weeks—Boopy simply vanished.
Given the way he’d roughed us up, Boopy’s disappearance wasn’t entirely upsetting. Pretty soon, though, we wanted to know where he was. That’s when my father got to work, highball in hand, placing Boopy right in the middle of events unfolding on the evening news. And like the evening news itself, the true story of Boopy came out in installments, a new chapter delivered every night until the dramatic tale was told in full and our eyes beamed with pride.
After my father finished briefing us on what had become of Boopy, he swore us to secrecy, making us put our hands over our hearts and make the sign of the cross for good measure. This was fine for the younger ones. But I had just started kindergarten, and I desperately needed some material for show and tell. All the other kids were bringing in neat stuff that their parents had let them take from home or telling stories about cool family vacations. (One classmate had even been to the Catskills!) Sitting there on a tiny kindergartener’s stool among my more luminous classmates with nothing to either show or tell, I was beginning to develop a complex.
And so after determining that my classmates and teacher didn’t pose any risks to national security, I got up one afternoon and told everyone about Boopy, repeating exactly what my father had told us:
* Boopy had been drafted into the Army to fight in the Cold War, on orders from JFK himself. (“And he’s the president,” I added for my classmates who may have missed that memo.)
* After basic training, he’d been posted to Berlin, where he’d been assigned to a clandestine wing of the Canine Commando Corps.
* His mission was to dig tunnels under the Berlin Wall and drag people to freedom.
* According to all reports, he was doing a fantastic job.
* So fantastic in fact that Kennedy gave him a medal for it—and then gave him a second medal after Boopy went up to Nikita Khrushchev at the award ceremony and peed right on his leg!
With my sense of geopolitics being a bit underdeveloped at the time, the idea of the Soviet premier being at an American military decorations ceremony didn’t seem odd. It didn’t seem odd to my kindergarten classmates either. After I told them the story, we marched around the classroom (well, at least the boys), waving a flag, hailing Boopy and his critical role in our impending triumph over the Red Menace. Soon, we wouldn’t have to cower anymore in the basement bomb shelter waiting for the “The Big One,” as the older guys called it as they smacked their fists into their palms.
My teacher Mrs. Fath, however, did shoot me a somewhat dubious look. Sensing she might be less than convinced, I told her that my story about Boopy had to be true because my father had told me the story and he’d been in the Navy in World War II and he was a police officer now andhe can’t lie because he could lose his job if he did. She let it go.
After a while, news from the front about Boopy faded, as did my curiosity about his fate. A year or so after Boopy had deployed, however, his memory was revived when President Kennedy went to Berlin. Sitting in front of the black-and-white television as Kennedy gave his famous speech, I listened intently for some indication Boopy was still alive but wound up disappointed.
Relaxing in his armchair, my father told me not to worry. Kennedy was speaking in a secret code that only he and Boopy could decipher. When the president said “Ich bin ein Berliner,” what he was really saying was “Keep up the good work there, pooch.” Then my father raised a glass in Boopy’s honor. Meanwhile, the evening news cut to footage of German shepherds patrolling the barbed-wire no man’s land near the Berlin Wall. They looked ferocious, capable of ripping apart anyone trying to escape. But I knew that Boopy could run rings around them. Dig tunnels underneath them, too.
Wednesday, September 11, 2019
Gone now is the day and gone the sun
There is peace tonight all over Arlington
But the songs of my life will still be sung
By the light of the moon you hung
I meant to ask you how to plow that field
I meant to bring you water from the well
And be the one beside you when you fell
Could you tell
Bang the drum slowly play the pipe lowly
To dust be returning from dust we begin
Bang the drum slowly I'll speak of things holy
Above and below me world without end
Emmylou Harris, “Bang The Drum Slowly”
Thursday, June 27, 2019
More news about the nation’s fraying political, social and cultural fabric came the other day from the Washington Post. According to the Post, Ravelry, an 8-million-strong social network known as the “Facebook of knitting,” has banned all support for Trump and his administration. “We cannot provide a space that is inclusive of all and also allow support for open white supremacy,” Ravelry declared. “Support of the Trump administration is undeniably support for white supremacy.”
According to the Post, the ban cuts across all aspects of the site, including “forum posts, projects, patterns, profiles” and anything else.
The site did not explain which Trump policies it believes signify white supremacist ideology, taking pains to note that “We are definitely not banning conservative politics.” But it added that “Hate groups and intolerance are different from other types of political positions,” and warned users not to goad others into voicing support for Trump.
The Post noted that “Some longtime Ravelry users welcomed the move, saying the toxicity of online political discourse has plagued their quiet hobbyist refuge, though others expressed concern over the policy.” One self-proclaimed knitter tweeted that “Politicizing ravelry leaves a bad taste in my mouth.
Ravelry said its policy was largely inspired by RPG.net, a hub for role-playing game enthusiasts, which banned public support of Trump in October. In announcing its ban, RPG.netsaid that Trump’s “public comments, policies, and the makeup of his administration are so wholly incompatible with our values that formal political neutrality is not tenable.”
Wednesday, June 26, 2019
BEFORE STONEWALL: How A Forgotten Case Of Homosexual Blackmail Changed the Course of Gay Civil Rights
|A "john" lights a cigarette for a young male prostitute in front of the Astor Pharmacy in Times Square, August, 1965|
From Slate, here's a link to an exhaustively reported account which I published in 2012 about America's largest case of gay extortion, illustrated with rare and gritty Midnight Cowboy photographs. Hollywood (Lawrence Gordon Productions) sees a noir period thriller somewhere between that classic and L.A. Confidential, depicting a hinge moment in the history of gay civil rights analogous to the turning point in the struggle for racial equality that was dramatized so powerfully in Mississippi Burning.
The case, known in law enforcement circles as "The Chickens and the Bulls," dates from the late 1950’s and early 1960’s and involved a nationwide ring of blackmailers who posed as corrupt Vice Squad detectives and targeted closeted pillars-of-the-establishment: admirals, generals, congressmen, society doctors, Ivy League professors and high-profile film and television entertainers. The ring operated for ten years in New York, Chicago, Washington and LA. As ruthless as it was brazen, the ring made millions and brought misery to scores of victims and their families before being broken up in a joint investigation by the FBI and the Special Rackets Squad of the Manhattan District Attorney’s Office which was led at the time by the legendary Frank Hogan—aka “Mr Integrity.”
The press conference that Hogan held in early March, 1966 to announce the ring’s breakup inspired this front page headline in the New York Times the next day, the wording of which is rather shocking by today's more diversity-sensitive standards:
The case is significant because it represents the first time that the American law enforcement apparatus cranked up on behalf of gay men who were routinely victimized by extortion schemes like the one described in “The Chickens and the Bulls.” Most of the victims in this scheme, as in other schemes like it, would have been married, or if not married, certainly not "out." In those unenlightened days those who did not pay up and were exposed could reliably count on losing their families, as well as their jobs, businesses or careers. Some victims were beaten to death by thugs whose intimidation tactics went too far. At least one victim, a US Navy admiral who'd been a decorated WWII hero, committed suicide.
Aside from its historical importance, the story was compelling---and attractive to the movies--- for many reasons, among them the fascinating character “arc” of the one of the ringleaders---a Jimmy Cagney-like tough from Manhattan’s lower west side named Edward “Mother” Murphy.” After tormenting gay men as an extortionist, Murphy, who was himself gay and was said to be at the Stonewall Inn the night of the infamous uprising in 1969, transformed himself into one of the gay community’s most ardent champions. In fact, his work on behalf of early AIDS victims led to him being named the posthumous Grand Marshal of the Gay Pride Parade in 1984, the gay community apparently unconcerned by, or ignorant of, Murphy's rather risque criminal past.
Below is a picture that gay activist and archivist Randy Wicker took of Murphy, “The Original Stonewaller,” riding with some of his entourage during a previous year's parade. Wicker told me he mounted a one-man campaign to derail Murphy's posthumous Grand Marshall-ship, but the gay community's memory was short and its ranks were swelling fast. "It was like that Stephen Sondheim song," Wicker told me. "Another hundred people just got off of the train."
Below is a picture that gay activist and archivist Randy Wicker took of Murphy, “The Original Stonewaller,” riding with some of his entourage during a previous year's parade. Wicker told me he mounted a one-man campaign to derail Murphy's posthumous Grand Marshall-ship, but the gay community's memory was short and its ranks were swelling fast. "It was like that Stephen Sondheim song," Wicker told me. "Another hundred people just got off of the train."
Sunday, June 23, 2019
Despite Getting His Story Wrong, There's Been No Shame Or Contrition Among the Press.
From the American Conservative:
From the American Conservative:
In March, the National Association of Black Journalists (NABJ) announced that it had put CNN on a “special media monitoring list” over concerns about a lack of diversity and the network’s president’s refusal to even discuss the lack of black executives at the liberal news organization.
CNN doesn’t have a single black executive producer, or vice president on its news side, the NABJ charged. The black journalist organization also alleged that CNN’s president Jeff Zucker refused a scheduled meeting to discuss the problem with a four-member NABJ delegation.
As a result, the NABJ threatened that it would assign a special team of its members to “perform further research and an analysis of CNN’s diversity, inclusion and equity practices,” particularly as they pertain to CNN’s news decision-making capacities. The group also called for a “civil rights audit” which would examine the company’s hiring, promotion and compensation practices involving black employees. Such audits are usually performed by Justice Department officials on local and state government entities in anticipation of federal consent decrees. The NABJ was claiming CNN might have more in common than it would like to admit with racially troubled police departments and underperforming school districts being monitored by the federal government.
CNN declared that it would be more than happy to sit with NABJ, but the meeting could not include the organization’s vice president, Roland Martin. During the 2016 Democratic primaries, Martin was accused of slipping questions verbatim to Hillary Clinton’s campaign before a town hall debate with Bernie Sanders. He did it in coordination with then DNC chairwoman and CNN contributor Donna Brazile, who was fired from the network for the violation. According to CNN, “Mr. Martin displayed an unprecedented and egregious lack of journalistic ethics and integrity by leaking questions prior to the town hall,” which had inflicted “significant and reckless damage” to the network.”
The NABJ-CNN contretemps highlighted lingering raw feelings and bad memories from 2016. But it is no sign that the media will be any less “woke” in its coverage of the next presidential campaign, as President Donald Trump seeks reelection. Their coverage of Empire actor Jussie Smollett’s hate crime hoax, for example, says otherwise.
Even though he had a direct pipeline to Smollett beginning the very night of the alleged attack, CNN’s Don Lemon was hardly in a rush to ask tough questions. Lemon spoke to Smollett on the phone belonging to a mutual friend at Northwestern Memorial Hospital where the Empire star was being treated. Lemon said that a shaken and angry but resilient Smollett described the attack, telling the anchor that “during times of trauma, grief and pain there is still a responsibility to lead with love.” It was all he knew, Lemon said Smollett declared, “And that can’t get kicked out of me.”
Thursday, May 30, 2019
When Trope Is Truth: Many Things Labelled 'Anti-Semitic' Are Just Ethnically & Politically Inconvenient
“Remember the cartoon the New York Times ran from a European syndicate a month ago, showing Netanyahu as a dog with a star of David collar leading a blind Trump wearing a skullcap?” This was Phil Weiss at Mondoweiss the other day, revisiting a controversial op-ed cartoon that “caused a ton of fallout for the newspaper, none of it positive.” According to Weiss, two former Times reporters now say “the cartoon crossed the line, but it could have appeared in an Israeli newspaper without the same level of furor.” As Weiss goes on to explain:
The episode is worth revisiting because it sheds light on the keen sensitivity in the U.S. to apparent anti-semitic imagery — and the corresponding indifference here to anti-Palestinian commentary.
The cartoon by a Portuguese artist, António Moreira Antunes, ran on April 25; and it unleashed a firestorm of criticism. The paper soon apologized for publishing an “offensive cartoon” that “included anti-Semitic tropes” and stated that one editor had made an error of judgment. The view of the cartoon as “baldly antisemitic” was widely shared in the press, due to Antunes’s use of a yarmulke and star of David to identify the two leaders. The ADL said the cartoon was reminiscent of Nazi themes.
And though Antunes protested that he had never intended his cartoon to be anti-Semitic, but had sought to portray a political reality, he did not help his case when he said that the “Jewish propaganda machine” was behind the controversy.
The Times apologized several times. The publisher issued a statement saying that the paper had fallen short of its standards and that the editor who approved the image would face disciplinary action and the paper was “updating our unconscious bias training” to include a focus on anti-Semitism. The paper ended its subscription to the European syndicate that had provided the cartoon.
And the Times editorial page published a lead editorial calling the cartoon “obviously bigoted” and “appalling.” Though it also needed to explain its editor’s “numbness” in not being aware of such obvious bigotry. That was part of the danger.
[H]owever it came to be published, the appearance of such an obviously bigoted cartoon in a mainstream publication is evidence of a profound danger — not only of anti-Semitism but of numbness to its creep, to the insidious way this ancient, enduring prejudice is once again working itself into public view and common conversation.
The editorial went on to apologize for the paper’s failure to cover anti-Semitism in Europe in the ’30s and ’40s:
The Times was largely silent as anti-Semitism rose up and bathed the world in blood. That failure still haunts this newspaper.
It must be noted that pro-Israel forces seized on the cartoon to argue that the Times has a deeply-rooted bias against Israel. The paper was picketed by pro-Israel protesters, among them Alan Dershowitz; and Bret Stephens wrote a column titled, “A Despicable Cartoon in the Times.”
This week, two former Times reporters said the cartoon could have appeared in an Israeli newspaper without a furor. Joseph Berger and Ethan Bronner, both of whom have covered Jewish issues/Israel, spoke to Gary Rosenblatt of the Jewish Week. Bronner noted the legitimacy of the cartoonist’s critique and pointed out that Antunes had used a Jewish symbol to identify Netanyahu because readers might not have recognized him otherwise.
Bronner said he believes the theme of the cartoon, that President Trump is unduly influenced by Israeli Prime Minister Netanyahu, is “a legitimate topic of commentary and satire.
“The problem is that there is virtually no way to depict Jews or the state of Israel in a cartoon without using liturgical elements of Judaism — a Jewish star, yarmulke, menorah, etc. — and the result is you’re mirroring anti-Semitic cartoons of an earlier era.” He added that if the same cartoon appeared in an Israeli newspaper, it would not have caused such a sensation.
Bronner also said the context is criticism of Israel:
Bronner made a point of noting that the cartoon syndicate in question is in Europe, where the criticism of Israel and its policies is more vocal than in the U.S.
Joseph Berger said the cartoon could have been published in Israel without the same controversy:
As for the cartoon that precipitated the most recent round of anti-Times fervor, Berger said it was the yarmulke on Trump’s head that “made it about Judaism and put it over the edge.” But he acknowledged that had the same cartoon been published in Haaretz, the left-leaning Israeli daily, he and others might not have seen it in as harsh a light.
Berger told Rosenblatt he could not recall such “a self-critical editorial in The Times” as the one apologizing for the failure to cover anti-Semitism in the last century.
This episode seems important to bear in mind because though the cartoon was offensive, the response has been so over-the-top and so grave in character, that it is sure to make anyone who wants to criticize or mock the U.S.-Israel special relationship think twice. (And if you’re going to try to explain Trump’s subservience by blaming Adelson/the Israel lobby, you must be a bigot.) The Corbyn battle in the UK is coming to the Democratic Party soon.
Bronner and Berger’s comments are also a reminder that criticisms of Israel that are OK in Israeli papers are not allowed here, presumably because it’s not OK to discuss some things in front of non-Jews/or Jews can say stuff non-Jews can’t (a rule that applies to other minorities, as well). As Peter Beinart wrote this week in the Forward, he was taught that Jews should be wary about being too critical of Israel in front of non-Jews.
when it comes to pressuring Israel, [there’s] a voice inside their head that says: Don’t turn on your own. The voice says that Israel, whatever its flaws, is family, and the Palestinians are not. It says that when anti-Semitism is rising, including on the left, you don’t throw chum in the water. Once American Christians grow comfortable condemning and pressuring Israel, maybe we’ll find they enjoy it just a little too much.
I can think of many examples of Jewish voices in Israel that couldn’t be published here. Like Eva Illouz’s op-ed in Haaretz saying that the occupation is equivalent to slavery in the U.S. Or Amira Hass’s crushing report in Haaretz this week, “Renovated checkpoints mean Palestinians don’t feel like cows being led to slaughter.” Neither of these pieces was the least bit anti-Semitic, but if someone said it in the U.S., you know that charge would be leveled.
Now let’s flip the script. The Times has run four justifications of Israel’s killing of nonviolent Palestinian protesters in the last year without any apologies for anti-Palestinian racism, without any other columnists stepping in to say, Hey! let alone responses from the publisher and the editorial board mentioning the long history of racism toward Palestinians. Smearing Palestinians, as bloodthirsty terrorists who just want to hurt Jews, and who aren’t seeking their freedom and have no right to resist occupation — this is commonplace in American publications.
P.S. Bronner, now an editor at Bloomberg, is a liberal Zionist; and he said that the Times’s news policy is to treat Israel’s creation as a “triumph of history.” Good to know!
“The premise of the news coverage is that Israel is an ally of the U.S., a triumph of history and homeland of Jews, all of which is praiseworthy.”
“The neoconservative push for war with Iran is not in the American people’s interest,” notes Phil Weiss at Mondoweiss. It’s a brilliant column, on a subject that could not be more serious or more timely given recent developments in the Middle East. Weiss delicately—and responsibly--- explores the third rail issues of “Dual Loyalty,” “Big Jewish Money” and “Warmongering” which often wind up immolating other journalists who’ve engaged these so called “tropes. ”
One of the frustrations in writing about foreign policy over the last 15 years is that the words “neoconservative” and “Israel lobby” are both considered somewhat outside the line, as anti-Semitic. The neocons like it that way, not being in the spotlight. Many years ago Paul Wolfowitz turned the word neoconservative back on a questioner at the American Enterprise Institute, Oh you mean Jewish. That identification has been reissued lately, as a weaponized charge: You seem to think there’s a problem with Jews playing a role in foreign policy. The same charge is leveled against those who speak openly of the Israel lobby: You are talking about Jewish influence.
So the U.S. discourse has been unable to process a simple and critical idea: Rightwing Israel supporters who seek to topple foreign governments that threaten Israel have too much power in US policy-making. And once again we are shaking and juddering our way toward a possible war in the Middle East with Netanyahu cheering us along from Israel, and those who oppose war can’t speak of the Israeli interest or the neocons without being accused of fostering anti-Semitism.
But a conflict with Iran is not in the American people’s interest, however you define that interest: in realist material/competitive terms, in leftwing universal human-rights terms, in populist terms. That needs to be stated emphatically.
Today Trump all but threatened war with Iran. “I’m hearing little stories about Iran,” he said in the White House. “If they do anything they will suffer greatly… They’re not going to be happy… they know what I’m talking about.”
There is not an American interest in another war in the Middle East. It may be in Israel’s interest– that’s not for me to determine. But it’s not in my country’s or people’s interest to be “baiting” Iran, as Chuck Hagel said on NPR, or indeed doing much else than acting as an off-shore balancer of what is a regional power struggle between Israel/Saudi Arabia and Iran that we can’t sort out and shouldn’t try to.
But of course we do try to sort it out. And we are totally on Israel’s side. Last week at the U.N. the foreign minister of the Palestinian Authority said the same thing re the Americans’ much-anticipated peace plan. “I felt I was listening to an Israeli speaker. I didn’t see or hear an independent American position. The role of the US administration is … to be a servant to Israeli interests and defend Israeli crimes committed against the Palestinians.”
It is impossible to look on the works of the Trump administration in the Middle East without considering the claim that it is a servant to Israeli interests. He moved the embassy, he tore up that historic multinational agreement the Iran deal, he threatens more sanctions and action against Iran, he defunded UNRWA, he recognizes the Golan Heights as Israeli territory. And remember that one of the instances of alleged Russian collaboration by the Trump team in 2016 was when it scrambled all hands to get foreign nations to block the Obama White House’s decision to abstain on a Security Council resolution against settlements. Trump lately accused John Kerry of violating the Logan Act by just talking to Iranian officials. What kind of violation was it that “multiple members” of the Trump transition team reached out to foreign governments to try to undermine a U.S. policy?
And all this goes unremarked upon, except by independent voices. The press is still not allowed to raise the question too directly.
Lobelog has led the way on reporting the influence of rightwing Zionist billionaires– notably Sheldon Adelson, who is far and away Trump’s biggest donor and also one of Netanyahu’s biggest backers, including in his Israeli newspaper. But even Lobelog doesn’t put the word Zionist in its headline about the billionaires. And Jim Lobe notes other influences beside Netanyahu’s on our Iran policy. The Gulf States, and Saudi Arabia. The Iranians say the same thing constantly: we are working for what the Foreign Minister calls the “B team” of Bolton, Bibi, bin Zayed of the UAE, and bin Salman of Saudi Arabia.
Christian Zionists surely also play a part in making this policy, but the care and feeding of neocons is a Jewish problem Jews need to argue over. The original impetus for this website was my own great disturbance by my brother’s telling me in 2002 that while we’d demonstrated against the Vietnam War, his Jewish newspaper was saying that this war would be good for Israel. Neither of us had been to Israel, and I found the distortion of the idea of a homeland confusing and not just metaphysically. The Israel lobby has always caused confusion about community allegiance for thoughtful Jews (from Joe Klein to Melissa Weintraub to Douglas Rushkoff…). But you’re not allowed to talk about that. When Ilhan Omar made her famous comment about wondering about people’s allegiance, at Busboys and Poets, she was compelled to apologize.
More important than any motivation is the effect of neocon policies; but our opinion journals/programs don’t like to go near the argument that Zionism, or at least right wing Zionism, is not in the American interest. I mistakenly thought that had become a legitimate argument after the publication of “The Israel Lobby” in 2006. But then Dennis Ross and David Makovsky wrote a book aimed at showing that American fortune is tied to the struggles in the Middle East, and they are insiders, and theirs is the conventional wisdom. So Israel defenders were offended when Ilhan Omar dared to suggest that AIPAC leverages politicians by raising money– as if AIPAC is only urging pols to do what is right for America, which they wouldn’t be able to figure out on their own…
One good thing J Street has done — in addition to its valiant organizing against an Iran war — is to split the Israel lobby into a liberal-Zionist wing in the Democratic Party and a rightwing AIPAC lobby that operates in both parties. That ought to make it easier to take on the neocons on Iran: they’re AIPAC and everyone to the right.
There are still a bloc of Democratic neocons. Congresspeople Josh Gottheimerand Elaine Luria, for instance, were both against the Iran deal. Luria took a trip to Israel on AIPAC’s tab after she was elected. Gottheimer is now a centrist force in the party; and as Ryan Grim reported in the Intercept, Gottheimer and Luria recently met with Rep. Rashida Tlaib to rein in her criticisms of Israel:
Luria began by saying that she had met with Israeli Prime Minister Benjamin Netanyahu six weeks earlier, and Tlaib tried to break the ice with a joke: “How’s the two-state solution going?”… [Gottheimer says he] and Luria “sat down with Congresswoman Tlaib to have an open, honest discussion about anti-Semitic comments on dual loyalty and other anti-Semitic tropes that the Congressman and many other members of Congress found deeply disturbing. As requested by leadership, the Congressman brought copies of statements that he found disturbingly anti-Semitic.
Obviously, Gottheimer regards the Israel lobby and its donors as key to Democratic victories. Lately he sought to make the historic resolution to end support for the Saudi war on Yemen “a referendum on support for Israel” and against BDS, Grim reports.
I don’t think you can win against Gottheimer and Luria without talking about the rightwing Israel lobby. Whether you call it the Greater Israel Lobby or the Likud lobby (as Andrew Sullivan and Peter Beinart have done), or blame the “Jewish establishment” for its half century of supporting occupation, as IfNotNow does, the neocons need to be held to account, because they are powerful.
And yes, Jews have a special role to play here. Neoconservatism began inside the Jewish intellectual community as an appeal to Jews to support a militant U.S. foreign policy as being in the Jewish interest because Israel needed the U.S. to be strong, as Irving Kristol and Norman Podhoretz put it back in the ’70s in the wake of the ’67 war. Neoconservatism attracted many non-Jews (from Bolton to Doran), but Israel as a Jewish homeland remains a central concern. This is not ideological sport for neocons: At the heart of neoconservative ideology is a belief about history, and the dangers of powerlessness revealed in the Holocaust. Important rightwing actors like Doug Feith and Hart Hastenbase their politics in the genocide/ethnic cleansing that targeted their families in Europe. They speak to a sacralized Jewish trauma that has had vast political consequences, and that Jews must heal if U.S. policy is going to bend toward human rights.
Neoconservatism has been in our politics for more than 40 years, going back to the rise of Scoop Jackson. It has been well-funded and it has jumped from one party to another depending on the hospitality (Jimmy Carter and George H.W. Bush gave it the brush) and it has had disastrous results. Whoever decided to invade Iraq– neocons had a lot to do with the decision. And now neocons have taken up residence in the Trump administration and they are pushing for a war with Iran without a thought for what they have achieved in the Levant.
You can’t effectively fight such a force without saying what they are. They should be called out as militant Zionists who have never had a critical word to say about Israel or its rightwing leaders; and their plans should be denounced as ones that don’t serve the American people.
Wednesday, May 29, 2019
This 2003 WSJ article, headlined "Unfit To Print," describes what it was like to be targeted by blacklisters for raising tough questions about the media's diversity crusade and the rise of multicultural orthodoxy in American journalism. "Traveling through the intersection of journalism and our nation's racial tensions requires a hard head, if not a helmet." (And it's only gotten worse since then.)
"How did your colleagues respond to your book?"
In the scores of radio and television interviews I did during the publicity campaign for "Coloring the News"--an examination of diversity programs and their often corrupting impact on news coverage--this question was the one most frequently asked. And it's natural to see why. Diversity is one of the most controversial issues in the press today. No nerves are quite so raw as those attached to the issues of race, ethnicity and sexual orientation, and discussion of them has long been surrounded by considerable discomfort and taboos.
Many news organizations demand a pronounced commitment to diversity as a requirement for career advancement. Failing to show such a commitment, or asking too many questions either about its animating premises or its execution in the newsroom, can "dramatically narrow" one's career options, as New York Times publisher Arthur Sulzberger Jr. phrased it. Indeed, stepping over the party line on this subject can result in ostracism, opprobrium and banishment to career Siberias.
My experiences with "Coloring the News" confirmed that there are sanctions for speaking out too candidly about this subject. Traveling through the intersection of journalism and our nation's racial tensions requires a hard head, if not a helmet. Though some reviewers gave the book's arguments and evidence fair treatment, there were many instances when the unacknowledged ideological leanings of a news organization or professional groups made constructive dialogue all but impossible.
Many journalists were all too ready to read racial ill will into the book's critique of the diversity crusade or to dismiss it as a "right wing" screed and describe me as some kind of conservative ideologue with an agenda. While some critics showed an almost religious attachment to the concept of diversity, frustrating rational discourse, others did their best to discredit it with blithe dismissals or unfounded charges about the book's "dubious scholarship." With some I sensed that the distancing they did from the book was to avoid coloring their own career prospects.
I had been told to expect such treatment, and while it certainly did not outweigh the positive responses, something about the abusive tone and inaccuracies of these broadsides was disturbing. They seemed to say something profound about the way our journalistic culture debates--or stifles debate--about its coverage of one of our most vexing national issues. And they demonstrated the need to vilify those who step out of line and articulate a complex, dissenting view.
In the book's first chapter I write that efforts to enhance "diversity" in newsrooms and in the news "product" are "worthy, historically necessary and overdue." I also note how this has led to turmoil in some news organizations and explore accusations of racial double standards in hiring, assignment and promotion policies, though I don't lay blame or validate any side in discussing such accusations.
The vast emphasis of the book, however--almost 200 of the book's 250 pages--is devoted to an examination of a more important issue: the impact that diversity efforts have had on news coverage, with particular attention focused on diversity-related issues of race, gay rights, affirmative action and immigration. These issues reside at the red-hot center of the nation's culture wars and had been the focus of many who claimed that the media had a left-wing bias.
The evidence I found and presented showed a disturbing level of ideological conformity in the press with coverage of these issues and favoritism to various politically correct causes and protected "PC" constituencies. Although diversity purported to celebrate a multiplicity of viewpoints, certain unfashionable voices were overlooked or muted for a variety of reasons. Certain groups felt more empowered in the journalistic shouting match than others.
Why had well-intentioned diversity efforts run off the rails? I cited clumsy bureaucratic initiatives that encouraged "reporting by the numbers," and showed how this led to bias. I wrote about a climate that allowed activism and ethnic and racial cheerleading to eclipse neutral observation as well as the ideal of objectivity, and about a kind of wishful thinking that caused too many journalists to see "the world as it ought to be, not as it really is," as Washington Post columnist Richard Cohen has put it.
The book closes with an exploration of the consequences this kind of politically correct journalism has had on our political culture and on the media's health and credibility. I also argued that "PC" journalism hurt the credibility and financial health of mainstream news organizations and fed the growth of right-wing broadcasting backlash.
My goal in writing the book was not to condemn attempts to expand the ranks of minority journalists and enhance newsroom sensitivity to minority issues. I wanted to ask probing questions that few people in the profession seemed to be willing to ask, at least out loud, and, by doing so, to spark a debate. If the book had an agenda, it was to reassert the values of intellectual rigor and honesty and to affirm a real diversity of opinion and experience--whether or not it was deemed "progressive."
I felt then and still do that we're at a demographic and cultural crossroads, when the need for honest and unbiased information is critical. Journalism needs to renew its appreciation for the ideal of fair and detached reporting--"armed neutrality in the face of doctrines," as a pragmatic philosopher put it.
"Coloring the News" was commended in many reviews--some from surprising sources--for its careful research, its moderate tone, and for sparking an overdue debate. The review in the Washington Post, a newspaper that took a few hits in the book, noted that there were things in the book that many reporters and editors would not want to hear, but said it essentially was a liberal-minded book written in the spirit of George Orwell. Village Voice and Editor & Publisher columnist Nat Hentoff put it in a league with the work of George Seldes, I.F. Stone, Murray Kempton and Jimmy Breslin and said that if he were still teaching journalism, "one book would be mandatory: 'Coloring the News.' "
Unfortunately, however, too many news organizations with heavy investments in the diversity crusade either read my arguments wrong or preferred not to review their investments. Several influential news organizations simply blacked the book out, even when legitimate news pegs existed and not reviewing it exposed institutional self-protection and a lack of integrity.
The New York Times refused to review my book, and in several exchanges with book editors at the Times, it became clear that my book was too critical of some of the diversity efforts at the newspaper--and their impact on news coverage--for a review to be assigned. The Times was not exactly covert about this. Asked on the record about the decision not to review my book by a media reporter for the San Francisco Chonicle, the Times' book review editor, Chip McGrath, essentially confirmed the suspicion.
Not reviewing "Coloring the News" was, in my view, the journalistic equivalent to the "blue wall of silence" that the Times often decries. A newspaper's job is to get past such walls and hold public institutions accountable: My book was attempting to hold the newspaper accountable. Not being willing to respond to this scrutiny seemed a negation of the paper's mission and a decision that ill-served readers who depend on it.
This silent treatment from the New York Times put "Coloring the News" on a lengthening list of books (considered to be "right wing"), including former broadcast journalist Bernard Goldberg's "Bias," which have not been reviewed by the Times Book Review, despite contributing to a vigorous debate among journalists (and in Goldberg's case, achieving the No. 1 position on the Times's own bestseller list.)
At National Public Radio, talk show host Tavis Smiley essentially told me on the air that "black people don't need a white journalist to tell them what's good for them." Juan Williams had prepared a package with Bernard Goldberg and me, but it did not reach the air for more than six weeks. The reason? Higher-ups at NPR's "Morning Edition" mandated a rather odd second segment to follow the next day with two pro-diversity figures who are not known for scholarship on the subject. This "balance" seemed to be happening to appease those at NPR who thought giving airtime to us would validate our arguments. This concern seems less apparent when the liberal perspective is voiced without a counter-balancing conservative one.
Sometimes the response to the book has had a vaguely comic or self-parodying quality. Some delegates at the Society of Professional Journalists' 2002 convention tried to pass a resolution condemning the book, until someone pointed out that it might look a bit hypocritical for people in the First Amendment business to condemn an exercise in free speech.
As these experiences suggest, "Coloring the News" has become a hot potato--and I a bit of a pariah. Shortly after the book was published, I was invited to be a keynote speaker for a panel during the prestigious Law and Society Seminar, an annual conclave sponsored by a consortium of Kansas City-based insurance companies, with support from the Kansas City Star. (Some of the law firms sponsoring the event do First Amendment work.) Fliers for the event with my picture were printed up, but then I was disinvited. According to one event organizer, a lawyer with a firm with ties to the Kansas City Star put the kibosh on the invitation, saying he was concerned that the newspaper, where diversity is a top priority, might pull its sponsorship. Another member of the organizing committee, whose wife worked at the Star, agreed. Curiously, the motto of the man's employer is "We insure free speech."
By far the sharpest and ugliest rebukes have come from minority journalists, particularly officers and members of the National Association of Black Journalists. Critics from the NABJ blatantly misrepresented the book's main points. They claimed that I was against the hiring of minority journalists and that I singled out journalists of color for newsroom political correctness and the miscoverage it had generated. Their reviews contained the worst kind of racial McCarthyism, as writers threw mud on my name and credentials.
Writing in the Milwaukee Journal Sentinel, columnist and local NABJ president Eugene Kane said "McGowan strikes me as one of the white journalists who long for the days of all-white newsrooms, all-white society pages, and no black faces in the newspaper unless they were charged with a crime." St. Petersburg Times media columnist Eric Deggans (another NABJ officer) wrote that I seemed to be consumed with anger and rage: "Anger that so many news organizations seem committed to hiring and promoting minorities. Rage that other sensibilities, besides those of the white male power structure, are now helping shape the nations' news agenda." The Maynard Institute's Dori Maynard had problems with the book's "scholarship," though she offered no specifics whatever. On television, Les Payne of Newsday said that my politics were "from the gutter."
It was not surprising when the NABJ reacted strongly to the National Press Club's decision to give "Coloring the News" its 2002 award for media criticism. Mr. Deggans wrote Press Club president John Aubuchon that it was "amazing that the NPC would honor a book that so blatantly twists and bends the truth to attack such a simple obvious and honorable goal." (A few months after this event, when I had agreed to debate NABJ about my book, the NABJ pulled out.) The Washington Post's Richard Prince said "Coloring the News" is "simply a continuation of the angry white male backlash we have been contending with since we landed on these shores." The National Association of Hispanic Journalists piled on too, calling the book "insulting" and "poorly argued." That group went on to say that I had "a hostile attitude toward journalists of color." The National Press Club resisted the pressure to rescind their award, but its president and board of governors issued statements--without letting me know their content or timing--finding various faults with the book's core argument and its research, though once again specific charges were lacking.
"Coloring the News" enjoyed sales far more robust than expected and did, I think, help to jumpstart a debate that had been stalled for too long. It also set the stage for my next book, "Gray Lady Down," which uses the Jayson Blair scandal as a window onto the decade-long slide of the New York Times under publisher Arthur Sulzberger Jr.
But the overall experience has left me a bit ambivalent. While I gained a more clear-eyed view of today's corporate media realities, it was somewhat sad to lose the illusions I had harbored up until then. Call me naive, but despite my own research and reporting on the subject, I still had a vague confidence that American journalism's maverick streak, which values iconoclasm and intellectual honesty, would help me overcome established notions about what public conversations can happen and which can't.
This I found was wishful thinking, a version of "the world as it ought to be, not as it really is." As a friend who works at the New York Times said in explaining his paper's blackout of "Coloring the News": "We're gutless careerists. What can I say? The treatment your book got dramatizes the power that liberals have to dominate the discourse and to shut down--or try to shut down--dissidents or those who have alternative points of view."